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26 June – 25 Aug 2013
Sounding The Body Electric

Calvert 22 Gallery, London, UK

Curators: David Crowley and Daniel Muzyczuk
Loans by Kontakt: Milan Knížák, Katalin Ladik

Sounding The Body Electric: Experiments in Art and Music in Eastern Europe 1957–1984 was first shown at the Muzeum Sztuki in Lodz from June – August 2012.

Europe during the 60s and the decades that followed, featuring artworks and recordings by Fluxus artist Milan Knižák, plus works by Sots-Artists Komar & Melamid, Hungarian artist Dóra Maurer and composer Zoltán Jeney.

In the aftermath of Stalinism, composers and artists in Eastern Europe were given new opportunities to experiment. New recording studios equipped with magnetic tape recorders and, later, synthesisers were established, first in Warsaw in 1957 and then throughout Eastern Europe. New and often challenging forms of music were produced in these laboratories of sound.

The connections between the visual arts and experimental music were closer in the 1960s than perhaps any time before or since. Sound and image combined in artists’ films, ‘happenings’ and sounding installations. Experimental forms of notation were also created to stimulate uninhibited musical expression.

The early happenings and actions of the 1960s were associated with intellectual freedom and reform. The exhilaration of experimentation declined during the decade and in the 1970s new critical forms of art emerged which associated sound with surveillance and censorship.

This exhibition explores both the optimism and the anxiety that was to be found in the experimental zone of art and music.

Artists: Walerian Borowczyk, Collective Actions, Andrzej Dluzniewski, Szábolcs Esztényi, Bulat Galeyev, Milan Grygar, Zofia & Oskar Hansen, Zoltán Jeney, Milan Knížák, Grzegorz Kowalski, Zygmunt Krauze, Komar & Melamid, Katalin Ladik, Jan Lenica, Dóra Maurer, Henryk Morel, Vladan Radovanovic, Józef Robakowski, Eugeniusz Rudnik, Boguslaw Schaeffer,Cezary Szubartowski, László Vidovszky, Krzysztof Wodiczko